直到最近一直断断续续地在接收瓦尔堡相关的东西终于可以记一下笔记了戈达尔曾六次引用皮埃尔·勒韦迪的题为《适合晚上一个人看B站直播》(L'Image)的文字:图像是精神的纯粹创造...一个图像之所以有力量并不是因为它brutale或fantastique——而是因为观念间的联系遥远且恰切“戈达尔处理电影材料的方式类似瓦尔堡处理艺术史材料的方式:通过图像间的相互启明从而彰显图像现实化的意义...他想使用图像本身来作为具有描述性和批判性的显影剂黑店 电影通过电影时间去回溯图像的迁徙...”(from Philippe Alain Michaud)
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A free-wheeling pinku homage to Rear Window may seem a surprising start for Kurosawa, but it establishes a lot of the oddball charm that would later find its way to wonders like Doppelganger. Even if not much coheres—the leads’ characterization remains as flat as any pink film—it’s such a spirited, brisk romp that there’s little reason to complain.